S35
Lomo OKC Primes
Vintage Russian LOMO OKC spherical cinema lenses in PL Mount. The Lomo OKC Prime Lens set is a renowned series of lenses manufactured by the Russian optical company LOMO PLC. Since the 1980’s these lenses have gained a cult following among photographers and filmmakers for their distinctive and unique characteristics. These lenses have not been re-housed and focus markings cannot be trusted.
Set includes 22mm f/3.1, 28mm f/2.5, 50mm f/2.0, 75mm f/2.0, 100mm f/2.0, and 150mm f/2.8.
Leitz Summicron – C Primes
The Leitz Summicron-C prime lenses by Leica are compact and lightweight cinema primes providing incredible performance with a larger than Super 35; 36mm image circle. SUMMICRON-C lenses offer authentic color rendition, natural focus transitions and fall off, and a creamy sharpness that captures everything from actresses to architecture with a humane and true representation. Skin tones remain soft and smooth while hard edges and fine details retain their contrast, which makes these one of the most versatile sets of cine lenses available.
Set includes 18mm, 25mm, 35mm, 50mm, 75mm, and 100mm all T2.0.
Zeiss Ultra Primes
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
Set includes 16mm, 24mm, 32mm, 50mm, 85mm, and 100mm all T1.9.
ARRI Zeiss Master Primes
The ARRI Zeiss Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS.
Available focal lengths: 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, and 135mm all T1.3.
Cooke S4/i Prime Lens Set
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments in these cinema prime lenses. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements.
Our Cooke S4/i prime lens set includes the 18, 25, 32, 50, 75, and 100mm lenses all T2.0. The 14mm and 135mm are available separately.
Cooke Speed Panchro
The Cooke Speed Panchro quickly became the lens of choice for Hollywood from the 1920s right through to the 1960s being used on every major motion picture from the very first Academy Award winner, Wings (1927) to Casablanca (Best Picture winner 1942) and The Sound of Music (Best Picture winner 1965).
Set includes 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, and 100mm all T2.8.
Cooke Anamorphic/i Prime Lenses
Focal Lengths: 25mm, 32mm, 40mm, 50mm, 75mm, 100mm T2.3
Cooke Anamorphic/i 35-140mm SF
The Cooke 35-140mm Anamorphic/i SF T3.1 Zoom Lens is a 2x anamorphic squeeze zoom. This Special Flare (SF) zoom lens offers even more flares, enhanced bokeh, and other aberrations while complementing standard Anamorphic/i lenses. The wide to telephoto 35-140mm 4x zoom lens has an 11-blade iris, 2:1 oval bokeh, and covers image formats up to Super35.
Atlas Orion Anamorphic – A
Atlas Orion Anamorphic – A is a three lens set of primes: 40mm, 65mm, 100mm T2.0. The Orion Series Anamorphic Lenses are built to be a universal filmmaking tool – ready for the latest Digital Cinema PL mount cameras like Arri Alexa or Red DSMC2, Canon Mount Cinema Cameras like the C300, or adapted Sony E Mount or Micro 4/3 cameras, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements. Now the LF Extender is available for coverage of large format cameras such as Sony Venice, RED Monstro, ARRI Alexa LF and ARRI Alexa Mini LF. Focus has a deep 270° travel rotation. Cine pitch 0.8 mod gearing on both iris and Focus ring are spaced to allow simultaneous drive control, even when two motors are mounted on the same side of the lens.
Atlas Orion Anamorphic – B
The Atlas Orion Anamorphic B Anamorphic Prime Lens Set offers a versatile and high-quality solution for photographers and filmmakers. With its unique features and compatibility with a range of cameras, this set is sure to elevate your visual storytelling to the next level. Don’t miss out on the opportunity to add these lenses to your toolkit.
Atlas Orion Silver Edition Anamorphic – A
The Atlas Orion Silver Edition Anamorphic lenses. These differ from the original Orion series primarily by having neutral flare characteristics rather than blue – the color is affected by your on set lighting. All of the Altas Orion series lenses have the same Super 35 standard image circle of 31mm, and can be used with your full frame camera system by using an Atlas 1.4x LF Expander. The A set consists of 40mm, 65mm and 100mm lenses are all T2.0.
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Atlas Orion Silver Edition Anamorphic – B
The Atlas Orion Silver Edition Anamorphic lenses. All of the Altas Orion series lenses have the same Super 35 standard image circle of 31mm, and can be used with your full frame camera system by using an Atlas 1.4x LF Expander. The A set consists of 32mm, 50mm and 80mm lenses are all T2.0.
Atlas Orion Anamorphic 21mm
The Atlas 21mm offers the widest horizontal field of view of any Cinemascope format 35mm motion picture camera lens, and is optimized for use on both film and digital sensors. The Orion 21mm represents a previously unattainable wide-angle anamorphic field of view using a front anamorphic system, with a pleasing level of distortion, in a lightweight and compact form factor that will not encumber cinematographers and operators.
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Atlas Orion Anamorphic 25mm
In creating an immersively cinematic experience, it seems that one can never go wide enough. Until now – Presenting the 25mm T2 Orion Series.
ARRI Alura 15.5-45mm
In close collaboration with Fujinon, ARRI has created a pair of compact, lightweight zooms that pair excellently with the rest of the Arri lens lineup.
ARRI Alura 30-80mm
In close collaboration with Fujinon, ARRI has created a pair of compact, lightweight zooms that pair excellently with the rest of the Arri lens lineup.
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ARRI Zeiss Ultra Prime 14mm T1.9
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
ARRI Zeiss Ultra Prime 8R
The ARRI Zeiss Ultra Prime 8R T2.8 is an extreme wide angle lens with a unique look unparalleled by any other lens in the film or video world. Because of its rectilinear design it shows an extremely wide angle of view without any of the commonly associated fisheye distortions. Developed in cooperation with ARRI and Zeiss.
Angenieux EZ-1 30-90mm, 45-135mm
The Angeniuex Type EZ-1 features two versatile 3X zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-1 is compatible with Super 35 and Full Frame/Vista Vision cameras.
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Angenieux EZ-2 15-40mm, 22-60mm
The Angeniuex Type EZ-2 features two versatile zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-2 is compatible with Super 35 and Full Frame/Vista Vision cameras.
Angenieux EZ-3 S35 45-165mm, FF 68-250mm
The Angeniuex Type EZ-3 features two versatile zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-3 is compatible with Super 35 and Full Frame/Vista Vision cameras.
Angenieux Optimo 17-80mm
The Angenieux Optimo 17-80mm T2.2 cinema zoom lens remains a workhouse in the cinema world.
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