Digital Cinema
ARRI Alexa 35
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
ARRI Alexa Mini LF
The ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.
ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
ARRI Amira
Our cameras come in the Premium version with all licenses. ARRI’s versatile documentary-style camera combines exceptional image quality with an ergonomic design, optimized for single-operator use and extended shoulder-mounted operation. AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies
ARRI Alexa Classic
The ARRI Alexa Classic digital cinema camera was really the jumping off point of a long line of digital cinema cameras. With its cutting-edge technology and unrivaled image quality, the Alexa Classic was the perfect choice for filmmakers who demanded film-like capture in a digital camera.
Sony Venice 2
The Sony VENICE 2 builds upon the strength of the original VENICE. The new features include a compact design, internal recording and the option for two different sensors: the newly developed Full Frame 8.6K sensor or the original 6K VENICE sensor. The VENICE 2 also brings the same features of color science, dual base ISO, and 8-stops of built-in ND filters from the original VENICE.
Sony Venice
VENICE combines a newly developed 36x24mm 6K Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses for a greater range of expressive freedom with shallow depth of field. User-selectable areas of the image sensor allow shooting in Super 35 mm. A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images.
Sony Burano
The Sony BURANO has a Full Frame 8.6K sensor can capture every nuance and color with in-body image stabilization and in-camera variable ND filters. BURANO is light, ergonomic, and extremely mobile. BURANO could fit in a backpack on a documentary or work as a companion camera to its larger sibling, VENICE.
Sony FX9
Sony’s PXW-FX9 XDCAM 6K Full-Frame Camera System has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field.
Sony FX6
The Sony FX6 Full-Frame Camera offers versatile, cine-style imaging in a compact camera body. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE cameras.
RED Weapon Monstro 8K VV
The RED Weapon Monstro 8K VV (Vista Vision) is RED’s premier sensor. It provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range. The DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, delivering incredible dynamic range and up to 8K resolution.
Canon C300 Mark III
The Canon C300 Mark III digital cinema camera is a Super 35 dual gain output sensor camera with up to 16 stops of dynamic range. It comes with an EF lens mount and offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
Sony FX3
The Sony FX3 Full-Frame Camera with a compact design for solo shooters, for travel applications, and to serve as an ideal A or B cam. The Sony FX3 has a 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.
Sony FS7
The PXW-FS7 is a native E-mount camcorder designed to give users maximum lens options and flexibility, smooth and silent iris, focus and zoom control, with auto exposure and SteadyShot stabilization. An extremely shallow, 18mm flange-back distance enables the use of a range of 35mm lenses. Features include 2 XQD card slots that support simultaneous recording and relay recording.
Sony F55
The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor capable of capturing 4K, 2K, and HD resolution video in a variety of formats via the camera’s internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other rolling shutter distortions.
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Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro is a powerful and compact professional cinema camera option.
RED V-Raptor 8K VV Storm Trooper
Compact, fast, and both full-frame and Super 35 the Storm Trooper V-RAPTOR 8K VV camera is an impressive introduction to RED DIGITAL CINEMA’s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. The V-RAPTOR’s RF lens mount can be used with PL and EF lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
RED Epic Dragon 6K
RED Epic Dragon 6K camera offers 6K resolution at up to 100fps with 16.5 stops of dynamic range. You can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. 6K resolution translates to over 19 MP, packing the same detail you expect from your DSLR into a cinema camera. When you can capture up to 100 frames per second at full resolution, you get 100 chances per second to capture the perfect picture.
Panasonic Varicam LT
A Super 35 mm sensor — with a one-piece, shorter-bodied design. With a body weighing under 3 kg (6 lb.), Panasonic VariCam LT is ideal for handheld, Steadicam, jib, crane, gimbal and drone shooting applications, as well as all types of cinéma vérité filmmaking. The VariCam LT offers a host of new features including an EF lens-mount, hot-swappable batteries, IR shooting capability, a 23.98 PsF output, cinema-style file-naming, and scene files.
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RED Komodo X
The RED KOMODO X is a 6K, digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces. It has built-in Wi-Fi and a USB-C connector, the RED KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming.
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RED Komodo 6K
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4″. Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
RED Epic X
The Red Epic X camera shoots up to 5K resolution in digital cinema raw footage. Includes PL Mount camera, Bomb EVF, LCD Monitor, DSMC Side Handle, DSMC Side SSD Module, RedMote, a/c and battery power, Red 19mm DSMC quick release plate rod support, and (1) 128GB SSD Module, Red Station RedMag reader, A-Box dual XLR adapter.
RED Gemini 5K
RED Gemini 5K is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. The RED Gemini 5K can shoot up to 75 fps in full sensor resolution of 5120×3000 and up to 120 fps in 4k – all in RED’s industry leading REDCODE RAW format, and can record Prores proxies simultaneously.
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Canon C70
The Canon C70 cinema camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range in a mirrorless style body. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas. Video resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K. Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input/output connector, and built-in dual mini-XLR audio inputs.
RED Weapon Helium 8K
RED’s 8K Super 35MM Cinema Camera is capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps—WEAPON 8K S35 delivers unrivaled performance. At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60–75 fps, WEAPON 8K S35 provides the most advanced VFX solution with next-level creative flexibility. With other HELIUM sensor advancements, WEAPON 8K boasts improved low-light sensitivity and impressive dynamic range. Blazing-fast 300 MB/s data rates allow you to take advantage of the lowest possible REDCODE—and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.
WEAPON also supports interchangeable OLPFs and lens mounts—empowering you to make the most of all of your S35 compatible PL, Nikon, Canon, and Leica lenses.
