RED Komodo X:
Just when you though it couldn’t get any better, meet the RED Komodo X, the latest evolution of the Komodo camera line from RED. The new Komodo X is the same size as the original 6K S35 global-shutter KOMODO sensor, but the KOMODO-X sensor has been redesigned from the ground up, and it sure does pack a punch. We all know that big things can come in tiny packages, and this camera is certainly not holding anything back. It offers quite a few key architectural improvements, while producing the excellent image quality and color science that we have come to expect from RED. Some of the features include enhanced shadow detail and color and frame rates up to 80 fps in 6K and up to 120p in 4K. The KOMODO-X 6K camera melds some of the best DSMC3 features with the notably ultra-compact KOMODO form. The KOMODO-X is compatible with the upcoming PRO I/O Module for auxiliary power and full-size Gold-mount and V-mount battery use and it has a built-in micro plate that enables the direct mounting use of Micro V-mount batteries without the need for an adapter. It also incorporates a full-size, 6-pin 11-17 VDC power input. That works out to be enough power for a full day of shooting. Without question, this camera produces a fantastic image quality, all while at an extremely affordable rate. Step into the future with RED and enjoy their newest Komodo camera.
| Specification | Information |
|---|---|
| Sensor Mode | KOMODO-X™ 19.9MP Super 35mm Global Shutter CMOS Effective Pixels 6144 × 3240 Size 27.03mm x 14.26mm (Diagonal: 30.56mm) |
| Recording Formats | REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps REDCODE® RAW ACQUISITION FORMATS: 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 5K 17:9 (5120 x 2700) and 16:9 4K 17:9 (4096 x 2160) and 16:9 2K 17:9 (2048 x 1080) APPLE PRORES: Dedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps |
| Frame Rates | REDCODE® RAW MAX FRAME RATES 80 fps at 6K 17:9 (6144 x 3240) 96 fps at 5K 17:9 (5120 x 2700) 120 fps at 4K 17:9 (4096 x 2160) 240 fps at 2K 17:9 (2048 x 1080) |
| Sensitivity | ISO 250-12,800 |
| Latitude | 16.5+ Stops |
| ND Filters | N/A |
| Lens Mount | Canon RF, EF or PL Adapter |
| Recording Media | CFexpress Type B |
| Outputs | Proprietary Top Accessory Port for Monitoring and Control Integrated 2.9" 1440x1440 touchscreen LCD with preview and camera control Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p |
| Interfaces | Tri-Level Genlock Input via 9-Pin EXT LTC Timecode Input via 9-Pin EXT RS232 CTRL (using RCP2) via 9-Pin EXT IP CONNECTED Wi-Fi (2.4GHz/5GHz) for camera control, video preview, and media offloading Ethernet via USB Type-C for camera control, video preview, and media offloading MJPEG 1080p live stream accessible through Wi-Fi and USB Type-C. PTP for frame level synchronization |
| Audio | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz 3.5mm stereo headphone port |
| Weight | 2.62 lbs |