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Zeiss Supreme Primes
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
Available focal lengths include 21mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 100mm, and 135mm all T1.5.
ARRI Zeiss Master Primes
The ARRI Zeiss Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS.
Available focal lengths: 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, and 135mm all T1.3.
Cooke S4/i Prime Lens Set
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments in these cinema prime lenses. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements.
Our Cooke S4/i prime lens set includes the 18, 25, 32, 50, 75, and 100mm lenses all T2.0. The 14mm and 135mm are available separately.
Cooke Speed Panchro
The Cooke Speed Panchro quickly became the lens of choice for Hollywood from the 1920s right through to the 1960s being used on every major motion picture from the very first Academy Award winner, Wings (1927) to Casablanca (Best Picture winner 1942) and The Sound of Music (Best Picture winner 1965).
Set includes 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, and 100mm all T2.8.
IronGlass MK II Primes
The IronGlass MK II primes is a six lens set crafted from 50+ year old Soviet-era Russian glass. They come completely rehoused for modern professional use. IronGlass provided these lenses for use in production of Dune Part Two.
Set includes: 20mm T3.6, 28mm T3.6, 37mm T2.9, 58mm T2.1, 85mm T1.6, 85mm T2.1, 135mm T2.9
Cooke PANCHRO/i Classic FF
Cooke PANCHRO/i Classic Full Frame primes are optically designed to provide the classic and famous vintage Speed Panchro look of the 1920’s as well as the Cooke Look – reimagined for Full Frame capture. Each one colour balanced and compatible with the rest of the Cooke family of lenses.
Focal lengths available: 18mm, 21mm, 25mm, 27mm, 32mm, 40mm, 50mm, 65mm Macro T2.4, 75mm, 100mm T2.6, 135mm T2.8, and 152mm T3.0. All are T2.2 unless noted otherwise.
Build your own set; minimum of (4) lenses.
Cooke Anamorphic/i Prime Lenses
Focal Lengths: 25mm, 32mm, 40mm, 50mm, 75mm, 100mm T2.3
Cooke Anamorphic/i 35-140mm SF
The Cooke 35-140mm Anamorphic/i SF T3.1 Zoom Lens is a 2x anamorphic squeeze zoom. This Special Flare (SF) zoom lens offers even more flares, enhanced bokeh, and other aberrations while complementing standard Anamorphic/i lenses. The wide to telephoto 35-140mm 4x zoom lens has an 11-blade iris, 2:1 oval bokeh, and covers image formats up to Super35.
Cooke S7/i Primes
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond – all with The Cooke Look®. We have you covered with our S7/i Full Frame Plus lenses.Focal lengths: 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, and 135mm all T2.0.
Atlas Orion Anamorphic – A
Atlas Orion Anamorphic – A is a three lens set of primes: 40mm, 65mm, 100mm T2.0. The Orion Series Anamorphic Lenses are built to be a universal filmmaking tool – ready for the latest Digital Cinema PL mount cameras like Arri Alexa or Red DSMC2, Canon Mount Cinema Cameras like the C300, or adapted Sony E Mount or Micro 4/3 cameras, and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements. Now the LF Extender is available for coverage of large format cameras such as Sony Venice, RED Monstro, ARRI Alexa LF and ARRI Alexa Mini LF. Focus has a deep 270° travel rotation. Cine pitch 0.8 mod gearing on both iris and Focus ring are spaced to allow simultaneous drive control, even when two motors are mounted on the same side of the lens.
Atlas Orion Anamorphic – B
The Atlas Orion Anamorphic B Anamorphic Prime Lens Set offers a versatile and high-quality solution for photographers and filmmakers. With its unique features and compatibility with a range of cameras, this set is sure to elevate your visual storytelling to the next level. Don’t miss out on the opportunity to add these lenses to your toolkit.
Atlas Orion Silver Edition Anamorphic – A
The Atlas Orion Silver Edition Anamorphic lenses. These differ from the original Orion series primarily by having neutral flare characteristics rather than blue – the color is affected by your on set lighting. All of the Altas Orion series lenses have the same Super 35 standard image circle of 31mm, and can be used with your full frame camera system by using an Atlas 1.4x LF Expander. The A set consists of 40mm, 65mm and 100mm lenses are all T2.0.
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Atlas Orion Silver Edition Anamorphic – B
The Atlas Orion Silver Edition Anamorphic lenses. All of the Altas Orion series lenses have the same Super 35 standard image circle of 31mm, and can be used with your full frame camera system by using an Atlas 1.4x LF Expander. The A set consists of 32mm, 50mm and 80mm lenses are all T2.0.
Atlas Orion Anamorphic 21mm
The Atlas 21mm offers the widest horizontal field of view of any Cinemascope format 35mm motion picture camera lens, and is optimized for use on both film and digital sensors. The Orion 21mm represents a previously unattainable wide-angle anamorphic field of view using a front anamorphic system, with a pleasing level of distortion, in a lightweight and compact form factor that will not encumber cinematographers and operators.
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Atlas Orion Anamorphic 25mm
In creating an immersively cinematic experience, it seems that one can never go wide enough. Until now – Presenting the 25mm T2 Orion Series.
Atlas Anamorphic 1.6X LF Extender
1.6X LF Extender for Atlas Anamorphic Primes. This extender allows full sensor coverage for cameras with large format sensors such as Sony Venice, RED Monstro, ARRI Alexa LF and Alexa Mini LF.
ARRI Alura 15.5-45mm
In close collaboration with Fujinon, ARRI has created a pair of compact, lightweight zooms that pair excellently with the rest of the Arri lens lineup.
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ARRI Alura 30-80mm
In close collaboration with Fujinon, ARRI has created a pair of compact, lightweight zooms that pair excellently with the rest of the Arri lens lineup.
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ARRI Zeiss Ultra Prime 14mm T1.9
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
ARRI Zeiss Ultra Prime 8R
The ARRI Zeiss Ultra Prime 8R T2.8 is an extreme wide angle lens with a unique look unparalleled by any other lens in the film or video world. Because of its rectilinear design it shows an extremely wide angle of view without any of the commonly associated fisheye distortions. Developed in cooperation with ARRI and Zeiss.
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Angenieux EZ-1 30-90mm, 45-135mm
The Angeniuex Type EZ-1 features two versatile 3X zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-1 is compatible with Super 35 and Full Frame/Vista Vision cameras.
