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ARRI Zeiss Ultra Prime 8R
The ARRI Zeiss Ultra Prime 8R T2.8 is an extreme wide angle lens with a unique look unparalleled by any other lens in the film or video world. Because of its rectilinear design it shows an extremely wide angle of view without any of the commonly associated fisheye distortions. Developed in cooperation with ARRI and Zeiss.
Angenieux EZ-1 30-90mm, 45-135mm
The Angeniuex Type EZ-1 features two versatile 3X zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-1 is compatible with Super 35 and Full Frame/Vista Vision cameras.
Angenieux EZ-2 15-40mm, 22-60mm
The Angeniuex Type EZ-2 features two versatile zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-2 is compatible with Super 35 and Full Frame/Vista Vision cameras.
Angenieux EZ-3 S35 45-165mm, FF 68-250mm
The Angeniuex Type EZ-3 features two versatile zoom lenses in one. Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics™) technology, the EZ-3 is compatible with Super 35 and Full Frame/Vista Vision cameras.
Angenieux Optimo 17-80mm
The Angenieux Optimo 17-80mm T2.2 cinema zoom lens remains a workhouse in the cinema world.
Angenieux Optimo Style 16-40mm
The Optimo Style 16-40mm T2.8 zoom is available in PL or EF mount. The Angenieux Optimo Style series zooms provide focal length from 16 to 250 mm.
Angenieux Optimo Style 25-250mm
The Optimo Style 25-250mm is Angenieux’s 4th Generation 10x zoom, a signature focal range that has served the motion picture industry for the past 50 years. The color reproduction matches the highly acclaimed Optimo lens series, from the flagship 24-290 Optimo all the way to the lightweight DP series.
Angenieux Optimo Style 30-76mm
The Optimo Style 30-76mm T2.8 zoom is available in PL or EF mount. The Angenieux Optimo Style series zooms provide focal length from 16 to 250 mm.
Angenieux Optimo Ultra 12X
The Angenieux Optimo Ultra 12x 36-345mm T4.2 covers Full Frame and Vista Vision sensors and is the ideal long-range zoom for high-end productions: Feature Films, TV Series, Live Stage, Commercials, Music Videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.
TLS Morpheus 80-200mm
The TLS Morpheus 80-200mm zoom lens was developed initially for the 2006 Bond film, Casino Royale. This TLS (True Lens Services) rehousing of a stand-out Nikon zoom is mechanically superb. The focus throw is smooth and steady and the build quality feels like something Cooke might have offered.
Laowa OOOM 25-100mm
The Laowa OOOM 25-100mm T2.9 zoom lens has been designed to produce images with color and contrast reminiscent of vintage lenses. It covers Super 35 natively, but will also cover full frame by using a 1.4x FF Expander. This lens is available in PL, EF Mount; please specify.
Laowa 1.4x Full Frame Expander
The Laowa 1.4x Full Frame Expander works with the Laowa OOOM 25-100mm cinema zoom to expand its image circle from Super 35 to Full Frame. It is available in PL Mount only.
Laowa 1.33x Rear Anamorphic Adapter
The Laowa 1.33x Rear Anamorphic Adapter works with the Laowa OOOM 25-100mm cinema zoom lens, expanding the film canvas aspect ratio to a 2.35:1 cinematic widescreen view in a 16:9 sensor, while maintaining its optimal image resolution.
Tokina Cinema Vista 16-28mm
The 9-bladed iris is shared among the lenses and produces attractive bokeh in out-of-focus areas, with naturalistic-looking out of focus highlights.
