Rent
Paper Tape 2 inch
Paper tape 2 inch by Pro Tape is available in Black and White. It is 2″ x 180′ and is commonly used by camera assistants and sound and lighting engineers.
Paper Photo Tape 2 inch – Matte Black
Matte Black Paper Photo Tape is made with both flat back paper and strong adhesive properties. Each roll measures at 2″ wide by 180′ long. Use when you need deep blacks with no reflections.
Pro Gaff Gaffer Tape 1 inch
Pro Gaff Gaffer Tape 1 inch comes in various colors. 1″ x 55yd
Pro Gaff Gaffer Tape 2 inch
Pro Gaff Gaffer Tape 2 inch comes in various colors. 2″ x 55yd
SNOT Tape 3/4″
Snot Tape 3/4″ (3M 924 ATG) is an adhesive transfer sticky rubbery adhesive designed for temporarily mounting items. Widely used in our industry to affix lighting gels to their frames.
FREEFLY MoVI Pro
The Freefly MoVI Pro employs state-of-the-art technology to provide buttery-smooth, professional-grade stabilization for your camera. Perfect for indie, documentary, or high-end commercial work. Due to the modularity, this system can be easily customized to meet the unique needs of your production. From handheld operation to mounting on vehicles or even drones, the MoVI Pro empowers you to unleash your creativity without limitations. Take command of your shots like never before with MoVI Pro’s intuitive and precise control system. The system’s advanced software allows for real-time adjustments, ensuring that you achieve the perfect balance and framing with every take. Seamlessly switch between modes and capture dynamic shots with ease. Constructed from high-quality materials and designed with durability in mind, this system is a reliable companion on any set, from the rugged outdoors to the controlled environment of a studio.
Mimic for MoVI Pro
The Mimic for Movi Pro offers precise and natural control of the gimbal. Using Freefly’s innovative Mimic technology, the camera automatically and intuitively follows users movements. Mimic features a long range 2.4 GHz frequency-hopping radio system that provides users access to Mōvi Pro pointing control, status information, menus, and RED camera controls.
Sash Cord
Our Sash Cord is #8- 1/4″ and comes in 100′ hanks. It is black solid braid cotton rope, that is pre-stretched and polished. This sash has a thousand uses and is an absolute must have on set.
DJI Ronin 2 Camera Stabilizer Gimbal
The versatile Ronin 2 gimbal from DJI is suitable for use handheld, or mounted in a variety of ways, including Steadicam, vehicle mount, and more. An update from the original Ronin, this motorized stabilization system is suitable for a range of camera and lens configurations, with a payload capacity of 30 pounds.
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DJI Ronin RS3 Pro
The DJI Ronin RS3 Pro gimbal stabilizer is sleeker and more powerful than the Ronin RS 2 gimbal it succeeds. This tiny gimbal is tough enough to support and stabilize midsize cameras such as the Sony FX6 or Canon C70 with a medium zoom lens.
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DJI Ronin RS 2
The DJI Ronin RS 2 is a redesigned follow-up to the Ronin-S gimbal with a payload of up to 10 lb. It’s about 25% lighter and more compact thanks to monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge. The motors are about 20% more powerful and can support larger cameras such as the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF.
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Dana Dolly
Includes: (2) Low boy combo stands, Rails, and complete Dana Dolly kit.
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Black Arm
Flowcine Black Arm with Tranquilizer
Capture super-stabilized gimbal shots from your car, ATV, boat, snowmobile, or other vehicle with the Black Arm from FLOWCINE. Purely mechanical, this three-axis dampening and vibration-reduction system hard-mounts your gimbal-and-camera setup to your vehicle, stabilizing roll and tilt as well as vertical motion and vibration. The Black Arm’s design incorporates a four-spring arm with fully adjustable actuator hydraulic dampers and a platform that levels the separately available gimbal. In addition, between the arm and the mounted gimbal there is an anti-vibration Tranquilizer mount capable of handling loads between 14.8 and 49.6 lb. Mounting this piece of equipment is as simple as clamping it onto a standard 48-52mm speed rail.
Cine Saddle
The way the Cinesaddle works is simple, yet effective. Squishy, comfortable foam balls push the sides of the bag tight up against the camera operator for additional support. The bottom of the Cinesaddle molds itself to the shape of the object it is positioned next to, preventing it from slipping, and keeping a rock steady camera angle.
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Steadicam Zephyr
The Steadicam Zephyr is a camera stabilizer system that can support camera payloads up to 24 lb (11kg). It comes standard with a 7” Multi standard HD/SDI LCD 1000 nit monitor that features enhanced image quality and a wide viewing angle. It also features a vest and hip pads for comfort.
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Ready Rig
Are you Ready? 1…2…3… GO!
Feel the difference with the Ready Rig complete Camera Stabilization Kit
O’Connor 2575 Fluid Head
With its famous features the 2575 has become the standard for 35mm film cameras. Featuring OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor’s stepless, ultra-smooth pan & tilt fluid drag, and you’ve got the best of all possible combinations.
O’Connor 2060 Fluid Head
The OConnor 2060 Professional Camera Fluid Head was specifically engineered for supporting High Definition cameras.
O’Connor 1040 Fluid Head
The O’Connor 1040 fluid head brings the same quality build and precision movement found the larger OConnor 2575 and 2560 heads to enable cinematographers easily move from heavier to lighter payload camera setups without compromise. Tripod and spreader included.
O’Connor 1030 Fluid Head
The OConnor 1030 supports a payload up to 30 lbs. (13.6 kg) at a 6” (15cm) center of gravity and a +/-90° tilt range. MP&E’s O’Connor 1030 is 100mm bowl and will come with a tripod and spreader. Reduced pricing is available when rented along with a camera.
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Sachtler 30 Fluid Head
The Sachtler 30 camera fluid head is based on a 150mm bowl and is capable of camera payloads up to 77 lbs. MP&E’s Sachtler 30 will come with a tripod and spreader.
Sachtler Studio II 7+7 Fluid Head
The Sachtler Studio 7+7 Fluid Head is a real rock solid head which is highly respected in the industry. A 150mm bowl that is well suited for many high end broadcast and film cameras up to 110lbs.
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Sachtler Video 20 Fluid Head
Sachtler’s Video 20 camera fluid head is an industry workhorse. MP&E Sachtler 20’s come with a tripod and spreader. Reduced pricing is available when rented with a camera.
