Fujinon MK 18-55mm
Fujinon’s MK 18-55mm T2.9 zoom lenses achieves a high optical performance and low distortion with T2.9 speed across the entire zoom range.
Fujinon MK 50-135mm
Fujinon’s MK 50-135mm T2.9 zoom lens achieves high optical performance and low distortion with T2.9 speed across the entire zoom range.
RED Pro Primes
A set of RED cinema prime lenses has excellent characteristics. The RED Pro 300mm 18-85mm zoom are available as well.
Set includes 18mm,25mm, 35mm, 50mm, 85mm, and 100mm all T1.8.
Zeiss 14mm T2 Standard Speed Prime
Zeiss Standard Speeds are S35 vintage cinema lenses that have been an industry standard for decades. Their older optical designs, vintage glass and coatings are the perfect tool to take some of the edge off of digital cameras. They most definitely flatter skin tones.
Zeiss Super Speed Primes
Zeiss Super Speeds are some of the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture puts them in rare company. Made from rare earth materials that can no longer be used to make lenses, they just make people look good. They produce beautiful blue and magenta lens flares, and have minimal focus breathing.
Set includes 18mm, 25mm, 35mm, 50mm, 85mm all T1.3. The 14mm and 135mm lenses are available separately.
Zeiss Ultra Prime 135mm T1.9
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
IBE Optics 2X Extender
The IBE Optics 2X Extender will mount perfectly to any digital camera with a native PL mount. It will also clear the spinning mirror on ARRI and Aaton 35 mm cameras.Optically, the PLx2 projects an image circle large enough to cover all commonly used 35 mm formats including 5K on RED Epic and 4:3 full frame on ARRI Alexa.
ARRI Alexa 35
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
ARRI Amira
Our cameras come in the Premium version with all licenses. ARRI’s versatile documentary-style camera combines exceptional image quality with an ergonomic design, optimized for single-operator use and extended shoulder-mounted operation. AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies
ARRI Alexa Classic
The ARRI Alexa Classic digital cinema camera was really the jumping off point of a long line of digital cinema cameras. With its cutting-edge technology and unrivaled image quality, the Alexa Classic was the perfect choice for filmmakers who demanded film-like capture in a digital camera.
Sony Venice
VENICE combines a newly developed 36x24mm 6K Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses for a greater range of expressive freedom with shallow depth of field. User-selectable areas of the image sensor allow shooting in Super 35 mm. A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images.
Sony FX9
Sony’s PXW-FX9 XDCAM 6K Full-Frame Camera System has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field.
Canon C300 Mark III
The Canon C300 Mark III digital cinema camera is a Super 35 dual gain output sensor camera with up to 16 stops of dynamic range. It comes with an EF lens mount and offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
Sony FS7
The PXW-FS7 is a native E-mount camcorder designed to give users maximum lens options and flexibility, smooth and silent iris, focus and zoom control, with auto exposure and SteadyShot stabilization. An extremely shallow, 18mm flange-back distance enables the use of a range of 35mm lenses. Features include 2 XQD card slots that support simultaneous recording and relay recording.
