S35
Angenieux Optimo Style 16-40mm
The Optimo Style 16-40mm T2.8 zoom is available in PL or EF mount. The Angenieux Optimo Style series zooms provide focal length from 16 to 250 mm.
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Angenieux Optimo Style 25-250mm
The Optimo Style 25-250mm is Angenieux’s 4th Generation 10x zoom, a signature focal range that has served the motion picture industry for the past 50 years. The color reproduction matches the highly acclaimed Optimo lens series, from the flagship 24-290 Optimo all the way to the lightweight DP series.
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Angenieux Optimo Style 30-76mm
The Optimo Style 30-76mm T2.8 zoom is available in PL or EF mount. The Angenieux Optimo Style series zooms provide focal length from 16 to 250 mm.
Angenieux Optimo Ultra 12X
The Angenieux Optimo Ultra 12x 36-345mm T4.2 covers Full Frame and Vista Vision sensors and is the ideal long-range zoom for high-end productions: Feature Films, TV Series, Live Stage, Commercials, Music Videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.
Laowa OOOM 25-100mm
The Laowa OOOM 25-100mm T2.9 zoom lens has been designed to produce images with color and contrast reminiscent of vintage lenses. It covers Super 35 natively, but will also cover full frame by using a 1.4x FF Expander. This lens is available in PL, EF Mount; please specify.
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Laowa 1.33x Rear Anamorphic Adapter
The Laowa 1.33x Rear Anamorphic Adapter works with the Laowa OOOM 25-100mm cinema zoom lens, expanding the film canvas aspect ratio to a 2.35:1 cinematic widescreen view in a 16:9 sensor, while maintaining its optimal image resolution.
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Canon 30-105mm
Canon 30-105mm T2.8 cinema zoom lenses were developed to support high-end digital motion imaging. These precision-matched lenses were designed to meet the optical requirements for 4K digital production.
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Canon 30-300mm
Canon 30-300mm T2.95-3.7 cinema zoom lenses were developed to support high-end digital motion imaging. These precision-matched lenses were designed to meet the optical requirements for 4K digital production.
Canon CineServo 25-250mm
The CineServo 25-250 T2.95 zoom lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.
Canon Cine-Servo 50-1000mm
The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for S35 format cameras and accommodates either broadcast or cinema-style production. A built in 1.5x extender will take you all the way out to 1500mm.
Cooke Mini S4/i Primes
The miniS4/i primes incorporate everything that today’s filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.
Set includes 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm all T2.8.
Cooke S4/i 14mm Prime
Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments at T2.0.
Cooke S4/i 135mm Prime
Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments at T2.0.
Duclos 11-16mm
Duclos’ take on the Tokina 11-16 wide angle zoom lens. Modified de-clicked aperture, added focus gears, and smooth black finish.
Fujinon 19-90mm Cabrio
Now you can rent the Fujinon PL mount 19-90mm T2.9 Cabrio Zoom Lens (ZK4.7×19) which features an exclusive detachable servo drive unit, making it suitable for use as a standard PL cinema zoom lens or as an ENG-Style lens.
Fujinon 20-120mm Cabrio
The Fujinon XK20-120mm T3.5 Cabrio Premier Lens is a wide to telephoto zoom lens for Super 35mm cameras in PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.
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Fujinon 85-300mm Cabrio
While the PL mount Fujinon 85-300mm T2.9 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The PL 85-300 offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.
Fujinon MK 18-55mm
Fujinon’s MK 18-55mm T2.9 zoom lenses achieves a high optical performance and low distortion with T2.9 speed across the entire zoom range.
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Fujinon MK 50-135mm
Fujinon’s MK 50-135mm T2.9 zoom lens achieves high optical performance and low distortion with T2.9 speed across the entire zoom range.
