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eMotimo Spectrum ST4
The eMotimo Spectrum ST4 is a motion control pan, tilt and dolly head. The Spectrum is an advanced 4-axis motion controller for cinematography and photography that is faster, more accurate, and easier to use than anything else on the market. Our kit comes with everything you need to attach to a Dana Dolly.
Sony FE 70-200mm GM
The Sony FE 70-200mm f/2.8 G OSS is your classic, fast telephoto zoom lens.
Tokina Cinema Vista Primes
The Tokina Cinema Vista Prime Lens Set is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs. Available in EF and PL Mount.
Set includes 18mm, 25mm, 35mm, 50mm, and 85mm all T1.5.
Zeiss 14mm T2 Standard Speed Prime
Zeiss Standard Speeds are S35 vintage cinema lenses that have been an industry standard for decades. Their older optical designs, vintage glass and coatings are the perfect tool to take some of the edge off of digital cameras. They most definitely flatter skin tones.
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Zeiss Super Speed Primes
Zeiss Super Speeds are some of the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture puts them in rare company. Made from rare earth materials that can no longer be used to make lenses, they just make people look good. They produce beautiful blue and magenta lens flares, and have minimal focus breathing.
Set includes 18mm, 25mm, 35mm, 50mm, 85mm all T1.3. The 14mm and 135mm lenses are available separately.
Zeiss Super Speed Primes for S16
The Zeiss Super Speed Super 16 Prime Lenses offer the same amazing optical flavor so many filmmakers know and love from the Zeiss Super Speeds and Zeiss B Speeds.
Set includes 9.5mm, 12mm, 16mm, 25mm and 50mm all T1.3.
Zeiss CP.2 Primes 5-Lens Set
ZEISS Compact Primes in the CP.2 family deliver a wide range of focal lengths, full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Focal lengths included in this set are 15mm T2.9, 25mm T2.1, 35mm, 50mm, and 85mm all T1.5. The Zeiss CP.2 50mm Makro, 100mm, and 135mm lenses are available separately.
Zeiss CP.2 50mm Makro
ZEISS Compact Prime 50mm Makro T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CP.2 100mm T2.1
ZEISS Compact Prime 100mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
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Zeiss CP.2 135mm T2.1
ZEISS Compact Prime 135mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CZ.2 28-80mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss CZ.2 70-200mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss DigiPrimes
Zeiss DigiPrime lenses have been designed to deliver pristine images that are more desirable and visually pleasing than those achieved with any other lens.
Set includes 5mm T1.9, 10mm, 14mm, 20mm, 28mm, and 70mm all T1.6.
Zeiss Ultra Prime 135mm T1.9
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
Sand Bags
These compact bags are filled with stainless steel shot and pack a lot of weight in a small package.
IBE Optics 2X Extender
The IBE Optics 2X Extender will mount perfectly to any digital camera with a native PL mount. It will also clear the spinning mirror on ARRI and Aaton 35 mm cameras.Optically, the PLx2 projects an image circle large enough to cover all commonly used 35 mm formats including 5K on RED Epic and 4:3 full frame on ARRI Alexa.
Fujinon EX-3 to 2/3 Adapter
The Fujinon ACM-21 is a lens adapter for the 1/2″ CMOS chip PMW-EX3 camcorder. This adapter allows the 1/2″ chip camera to utilize high quality 2/3″ HD lenses using the B4-Mount.
