Equipment Catalog
Cooke Mini S4/i Primes
The miniS4/i primes incorporate everything that today’s filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.
Set includes 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm all T2.8.
Cooke S4/i 14mm Prime
Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments at T2.0.
Cooke S4/i 135mm Prime
Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments at T2.0.
DZOFilm Vespid Primes
The DZOFilm Vespid Prime Lens Set is suitable for use on productions ranging from independent to studio films.
Set includes 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm all at T2.1.
RED Pro Primes
A set of RED cinema prime lenses has excellent characteristics. The RED Pro 300mm 18-85mm zoom are available as well.
Set includes 18mm,25mm, 35mm, 50mm, 85mm, and 100mm all T1.8.
Sigma FF High Speed Primes
Sigma FF High Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. They are available in both EF and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.
Set includes 14mm T2, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5, and 135mm T2. Please specify lens mount.
Atlas Mercury Primes
The Atlas Mercury Series 1.5x Full-Frame Anamorphic lenses are designed to further connect cinematographers, directors, and filmmakers everywhere to the images they create. They are designed to balance vintage character with modern sensor performance and to support every cinematographer in their lifelong pursuit of expressing their image-craft.
Set includes 36mm, 42mm, 72mm all T2.2.
Cooke SP3 Primes
Cooke SP3 prime lens series is based on one of the legendary Cooke Speed Panchro. Cooke SP3 5 lens set of primes is a completely new design optimised – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories.
Includes 25mm, 32mm, 50mm, 75mm, and 100mm all T2.4.
Tokina Cinema Vista Primes
The Tokina Cinema Vista Prime Lens Set is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs. Available in EF and PL Mount.
Set includes 18mm, 25mm, 35mm, 50mm, and 85mm all T1.5.
Zeiss 14mm T2 Standard Speed Prime
Zeiss Standard Speeds are S35 vintage cinema lenses that have been an industry standard for decades. Their older optical designs, vintage glass and coatings are the perfect tool to take some of the edge off of digital cameras. They most definitely flatter skin tones.
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Zeiss Super Speed Primes
Zeiss Super Speeds are some of the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture puts them in rare company. Made from rare earth materials that can no longer be used to make lenses, they just make people look good. They produce beautiful blue and magenta lens flares, and have minimal focus breathing.
Set includes 18mm, 25mm, 35mm, 50mm, 85mm all T1.3. The 14mm and 135mm lenses are available separately.
Zeiss Super Speed Primes for S16
The Zeiss Super Speed Super 16 Prime Lenses offer the same amazing optical flavor so many filmmakers know and love from the Zeiss Super Speeds and Zeiss B Speeds.
Set includes 9.5mm, 12mm, 16mm, 25mm and 50mm all T1.3.
Zeiss CP.2 Primes 5-Lens Set
ZEISS Compact Primes in the CP.2 family deliver a wide range of focal lengths, full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Focal lengths included in this set are 15mm T2.9, 25mm T2.1, 35mm, 50mm, and 85mm all T1.5. The Zeiss CP.2 50mm Makro, 100mm, and 135mm lenses are available separately.
Zeiss CP.2 50mm Makro
ZEISS Compact Prime 50mm Makro T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CP.2 100mm T2.1
ZEISS Compact Prime 100mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
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Zeiss CP.2 135mm T2.1
ZEISS Compact Prime 135mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss DigiPrimes
Zeiss DigiPrime lenses have been designed to deliver pristine images that are more desirable and visually pleasing than those achieved with any other lens.
Set includes 5mm T1.9, 10mm, 14mm, 20mm, 28mm, and 70mm all T1.6.
Zeiss Ultra Prime 135mm T1.9
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
