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  • Electro-Voice RE50 Microphone

    Electro-Voice RE50 Microphone

    The Electro-Voice RE50 is the industry standard for handheld interview mics in broadcast television production. Used on interviews with everyone from the President of the United States to the family next door, the RE50 is heard and seen in the reporting of news correspondents around the globe.

  • Sound Devices 302 Audio Mixer

    Sound Devices 302 Audio Mixer

    The Sound Devices 302 is a professional, compact, three-channel audio mixer. It is designed for use in professional film, ENG/EFP, and broadcast applications. It is powered by three AA batteries.

  • Shure FP 33 Audio Mixer

    Stereo audio mixer by Shure with 3 XLR inputs and 2 XLR outputs. Monitor in, tape out along with tone generator makes this the field mixer used most. AC/DC-9 volts.

  • PSC DV Promix 3 Audio Mixer

    The PSC 3 channel field audio mixer is a small, light weight, professional field mixer.

  • PSC Alphamix 4 Channel Audio Mixer

    The PSC 4 channel field audio mixer with digital PPM peak meters. Multiple outputs including beta-snake, mini-mic and xlr mic/line.

  • Sound Devices MixPre-10 II 10-Channel 32-Bit Field Recorder

    The Sound Devices MixPre-10 II multitrack field recorder is an ideal tool for professional videographers, field recordists, and podcasters who need pristine audio capture of up to eight microphones. You can record up to ten tracks of external sources (eight channels via XLR-1/4″ combo jacks and two channels via a 3.5mm mini jack)—as well as a stereo mix—at sample rates and resolutions of up to 192 kHz / 32-bit, all while actively monitoring audio in headphones.

  • Mackie 1402 VLZ Audio Mixer

    The Mackie 1402 is a compact mixer for up to 14 inputs, including 6 mic inputs. Multiple outputs makes this workhorse very versatile. Great mixer for playback on the set. AC only

  • Fender Passport PA System

    The Fender Passport 300 Pro Portable Sound System improves on a trusted design by incorporating a 300 watt amplifier, subwoofer output, 8″ speaker drivers, a 6 channel mixer and ultra lightweight construction. The mixers delivers 4 inputs with balanced microphone and line level connections, and there are 2 dedicated stereo inputs for player devices such as MP3 and CD players. The detachable speakers are pole mountable and include 35mm pole insert adapters.  High fidelity sound delivery for a PA system.

  • Clear-com Wireless Intercom

    Clear-Com Wireless Intercom system with (4) beltpacks and (1) base station.

  • ClearCom Intercom

    ClearCom wired intercom system.  Base station plus additional drops.  When adding to your estimate use quantity to specify the number of stations.

  • ARRI Alexa 35

    For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.

  • ARRI Alexa Mini LF

    The ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.

  • ARRI Alexa Mini

    ARRI Alexa Mini

    Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

  • ARRI Amira

    Our cameras come in the Premium version with all licenses. ARRI’s versatile documentary-style camera combines exceptional image quality with an ergonomic design, optimized for single-operator use and extended shoulder-mounted operation. AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies

  • ARRI Alexa Classic

    The ARRI Alexa Classic digital cinema camera was really the jumping off point of a long line of digital cinema cameras. With its cutting-edge technology and unrivaled image quality, the Alexa Classic was the perfect choice for filmmakers who demanded film-like capture in a digital camera.

  • Sony Venice 2

    The Sony VENICE 2 builds upon the strength of the original VENICE. The new features include a compact design, internal recording and the option for two different sensors: the newly developed Full Frame 8.6K sensor or the original 6K VENICE sensor. The VENICE 2 also brings the same features of color science, dual base ISO, and 8-stops of built-in ND filters from the original VENICE.

  • Sony Venice

    VENICE combines a newly developed 36x24mm 6K Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses for a greater range of expressive freedom with shallow depth of field. User-selectable areas of the image sensor allow shooting in Super 35 mm. A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images.

  • Sony Burano

    Sony Burano

    The Sony BURANO has a Full Frame 8.6K sensor can capture every nuance and color with in-body image stabilization and in-camera variable ND filters. BURANO is light, ergonomic, and extremely mobile. BURANO could fit in a backpack on a documentary or work as a companion camera to its larger sibling, VENICE.

  • Sony FX9

    Sony’s PXW-FX9 XDCAM 6K Full-Frame Camera System has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field.

  • Sony PDW-F800

    The Sony PMW-F800 XDCAM camera records MPEG HD422 at 50 Mbps to optical discs. The Sony PDW-F800 XDCAM HD422 Camcorder provides the durability and reliability professionals expect of ENG camcorders. The Sony F800 is known for the ability to shoot high definition video at manageable bitrates, without sacrificing quality.

  • Sony FX6

    The Sony FX6 Full-Frame Camera  offers versatile, cine-style imaging in a compact camera body. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE cameras.

  • RED Weapon Monstro 8K VV

    The RED Weapon Monstro 8K VV (Vista Vision) is RED’s premier sensor. It provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range. The DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, delivering incredible dynamic range and up to 8K resolution.

  • Canon C300 Mark III

    The Canon C300 Mark III digital cinema camera is a Super 35 dual gain output sensor camera with up to 16 stops of dynamic range.  It comes with an EF lens mount and offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.

  • Sony FX3

    The Sony FX3 Full-Frame Camera with a compact design for solo shooters, for travel applications, and to serve as an ideal A or B cam. The Sony FX3 has a 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.

  • Sony Alpha a7s III

    Camera of the Year, or Camera of the Decade? The Sony Alpha a7S III is a video-focused full-frame mirrorless camera with a 12 Megapixel BSI CMOS sensor. It uses an all-new dual-chip Bionz XR processor, which offers considerably more horsepower, allowing for faster autofocus/auto-exposure as well as high bitrate video. The camera offers an ISO range of 80-102400, which expands to 40-409600. Sony states that this camera captures 15 beautiful stops of dynamic range.

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