Equipment Catalog
Tram TR50 Lavalier Mic
When it was introduced, the TRAM® TR50 miniature microphone revolutionized the industry- it has become the standard in feature film, television production and other areas of the entertainment industry. In addition to its diminutive size and superior sound quality, the TR-50 offers a combination of features that are simply not offered by any other microphone.
Fender Passport PA System
The Fender Passport 300 Pro Portable Sound System improves on a trusted design by incorporating a 300 watt amplifier, subwoofer output, 8″ speaker drivers, a 6 channel mixer and ultra lightweight construction. The mixers delivers 4 inputs with balanced microphone and line level connections, and there are 2 dedicated stereo inputs for player devices such as MP3 and CD players. The detachable speakers are pole mountable and include 35mm pole insert adapters. High fidelity sound delivery for a PA system.
Mackie 1402 VLZ Audio Mixer
The Mackie 1402 is a compact mixer for up to 14 inputs, including 6 mic inputs. Multiple outputs makes this workhorse very versatile. Great mixer for playback on the set. AC only
PSC Alphamix 4 Channel Audio Mixer
The PSC 4 channel field audio mixer with digital PPM peak meters. Multiple outputs including beta-snake, mini-mic and xlr mic/line.
PSC DV Promix 3 Audio Mixer
The PSC 3 channel field audio mixer is a small, light weight, professional field mixer.
Shure FP 33 Audio Mixer
Stereo audio mixer by Shure with 3 XLR inputs and 2 XLR outputs. Monitor in, tape out along with tone generator makes this the field mixer used most. AC/DC-9 volts.
Sound Devices 302 Audio Mixer
The Sound Devices 302 is a professional, compact, three-channel audio mixer. It is designed for use in professional film, ENG/EFP, and broadcast applications. It is powered by three AA batteries.
Clear-com Wireless Intercom
Clear-Com Wireless Intercom system with (4) beltpacks and (1) base station.
ClearCom Intercom
ClearCom wired intercom system. Base station plus additional drops. When adding to your estimate use quantity to specify the number of stations.
ARRI Alexa 35
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
ARRI Alexa Mini LF
The ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.
Sony Burano
The Sony BURANO has a Full Frame 8.6K sensor can capture every nuance and color with in-body image stabilization and in-camera variable ND filters. BURANO is light, ergonomic, and extremely mobile. BURANO could fit in a backpack on a documentary or work as a companion camera to its larger sibling, VENICE.
Sony Venice 2
The Sony VENICE 2 builds upon the strength of the original VENICE. The new features include a compact design, internal recording and the option for two different sensors: the newly developed Full Frame 8.6K sensor or the original 6K VENICE sensor. The VENICE 2 also brings the same features of color science, dual base ISO, and 8-stops of built-in ND filters from the original VENICE.
RED Weapon Monstro 8K VV
The RED Weapon Monstro 8K VV (Vista Vision) is RED’s premier sensor. It provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range. The DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, delivering incredible dynamic range and up to 8K resolution.
Canon C300 Mark III
The Canon C300 Mark III digital cinema camera is a Super 35 dual gain output sensor camera with up to 16 stops of dynamic range. It comes with an EF lens mount and offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Sony FX9
Sony’s PXW-FX9 XDCAM 6K Full-Frame Camera System has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field.
Sony FX6
The Sony FX6 Full-Frame Camera offers versatile, cine-style imaging in a compact camera body. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE cameras.
Sony FX3
The Sony FX3 Full-Frame Camera with a compact design for solo shooters, for travel applications, and to serve as an ideal A or B cam. The Sony FX3 has a 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.
ARRI Amira
Our cameras come in the Premium version with all licenses. ARRI’s versatile documentary-style camera combines exceptional image quality with an ergonomic design, optimized for single-operator use and extended shoulder-mounted operation. AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies
Sony Venice
VENICE combines a newly developed 36x24mm 6K Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses for a greater range of expressive freedom with shallow depth of field. User-selectable areas of the image sensor allow shooting in Super 35 mm. A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images.
Sony Rialto Extension System for Venice
The Sony Rialto Extension System for Venice cameras allows camera body to be separated and extended away from the lens and sensor block. This facilitates shooting in tight spaces, or handheld more easily for complex action scenes. The Rialto comes with a nine foot cable as well as an optional nine foot extension cable allowing 18 feet of separation. There is no change in capability of the Venice while in Rialto mode.
Sony FS7
The PXW-FS7 is a native E-mount camcorder designed to give users maximum lens options and flexibility, smooth and silent iris, focus and zoom control, with auto exposure and SteadyShot stabilization. An extremely shallow, 18mm flange-back distance enables the use of a range of 35mm lenses. Features include 2 XQD card slots that support simultaneous recording and relay recording.
Sony F55
The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor capable of capturing 4K, 2K, and HD resolution video in a variety of formats via the camera’s internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other rolling shutter distortions.
