Rent
Aputure CS15
The Aputure Electro Storm CS15 1,500W tunable color high intensity point source lamp. Cast any hue with this 1,500W tunable color point source fixture that matches the brightness of industry-standard 1,800W HMIs.
Aputure F14 Motorized Fresnel
The Aputure F14 Motorized Fresnel is compatible with the Aputure Electro Storm CS15 and XT26 fixtures.
Aputure Light Box 30×120
The Aputure Light Box 30×120 is a 1′ x 4′ strip softbox that delivers a highly controlled soft edge light. Its surface area and slim form factor make it ideal for transforming hard point-source Bowens Mount LED lights into clean, linear edge lights and key lights for portrait and product photography, including lights such as the Aputure LS 120d, LS 300, and LS 600 series.
Aputure Motorized Yoke
The Aputure Motorized Yoke is compatible with the Electro Storm CS15 and XT26 lighting fixtures.
Aputure MT Pro
The Aputure MT Pro is a tunable color mini pixel bar.
- 1-Foot Pixel-Mappable RGBWW Full-Color Mini LED Tube Light
- Precision Pixel Control with Industry Leading Pixel Density: 36 Pixels in 1 Foot
- Built-In USB-C Rechargeable Battery & Integrated Magnets for In-Camera Practical
- Built for Professionals: Sidus Link, LumenRadio CRMX, DMX/RDM
- Color Modes: Advanced HSI with White-Point Adjustability, xy, RGB
Aputure Storm 1200x
The Aputure Storm 1200x is a 1,200w tunable white high fidelity point source lamp with ProLock Bowens Mount. The Storm 1200x offers a hefty 22,500 lux @3m at 5,600K with its included hyper reflector while maintaining an SSI [P3200] of 87 and SSI [CIE D5600] of 87 at 3,200K and 5,600K respectively.
Aputure Storm Reflector Kit
The Aputure STORM 1000c/1200x Reflector Kit adds two additional reflectors to the 45º wide reflector included with the STORM 1000c and STORM 1200x. The 15º narrow reflector and 30º medium reflector are tuned for optimal performance with the STORM lights, producing even beams with no color fringing. The included case has room and additional padding to also hold the 45º wide reflector.
Aputure XT26
The Aputure Electro Storm XT26 2,600W tunable white high intensity point source lamp. Compete with daylight and create moonlight with this 2,600W point source fixture that matches the brightness of industry-standard 4,000W HMIs. Electro Storm XT26 is one of the most powerful point source LEDs on the market, and the tunable white chipset outputs ultra-high color quality throughout the 2,700K to 6,500K CCT range, including +/- green adjustment. Keep high-speed photography flicker-free and dim lower than tungsten lamps with HyperSync.
Atlas Mercury Primes – Group 2
The Atlas Mercury Series 1.5x Full-Frame Anamorphic lenses are designed to further connect cinematographers, directors, and filmmakers everywhere to the images they create. They are designed to balance vintage character with modern sensor performance and to support every cinematographer in their lifelong pursuit of expressing their image-craft. This is a 3 lens set of the six lenses in the series.
Set includes 54mm, 95mm, 138mm all T2.2.
Aputure Light Dome III Softbox
The Aputure Light Dome III softbox for Aputure’s Bowens Mount lights, featuring the same 3ft (90cm) circular shape with a brand new quick-folding, flat-pack design. Designed for film and video professionals, the Light Dome III produces large and stunningly soft light while saving valuable time on set and space in your kit with its new quicker setup and slim profile.
MasterBuilt Classic Primes
The MasterBuilt Classic Primes Series Lenses have been designed to produce images of vintage personality throughout large format cinematography. Built to exacting specifications, the MasterBulit lenses maintain superior center sharpness, while gradually building softness and glowing beauty throughout the frame. Each lens maintains a super-fast T1.4 aperture throughout the entire focal range, making it effortless to shoot in professional settings where swapping lenses and shooting matching coverage becomes crucial. The maximum T-stop facilitates shallow depth of field and smooth focus fall-off giving subject’s singularity in the frame.
Set includes: 18mm, 25mm, 35mm, 50mm, 85mm, 105mm all T1.4.
Voigtlander Zoomar 36-82mm
This Voigtlander Zoomar 36-82mm zoom lens has been rehoused by Ancient Optics. The images it captures are impressive, even by today’s standards. Complete control of chromatic aberrations displays the genius of Dr. Back’s work. The warm flares are pronounced yet pleasant in a way only vintage glass can render. Focus is sharp in the center with a medium amount of fall off in the corners. Bokeh is pleasant and smooth. Barrel distortion on the wide end and pin cushion distortion on the long end are balanced well.
Konica Primes Lens Set
Exactly 150 years after Konica started the Japanese photographic industry, the Hexanons get their first ride on a cinema camera thanks to Ancient Optics. Now in a sexy anodized aluminum housing, with 110mm diameter fronts in PL mount. This glass covers full frame sensors like Arri Alexa LF open gate.
Set includes 21mm T2.9, 28mm T1.9, 35mm T2.1, 40mm T1.9, 50mm T1.6, 57mm T1.3, 85mm T1.9, and 135mm T2.5.
Lomo OKC Primes
Vintage Russian LOMO OKC spherical cinema lenses in PL Mount. The Lomo OKC Prime Lens set is a renowned series of lenses manufactured by the Russian optical company LOMO PLC. Since the 1980’s these lenses have gained a cult following among photographers and filmmakers for their distinctive and unique characteristics. These lenses have not been re-housed and focus markings cannot be trusted.
Set includes 22mm f/3.1, 28mm f/2.5, 50mm f/2.0, 75mm f/2.0, 100mm f/2.0, and 150mm f/2.8.
Canon K35 Primes
Canon K35 primes were awarded a Technical Oscar in 1977 and have been shooting studio features ever since. Originally designed to compete with Zeiss’ S35-format Super Speeds, recently they’ve become wildly popular because of their ability to cover full-frame sensors in addition to their creamy vintage look. They were developed from Canon’s legendary FD still photo lenses; an important detail when looking for additional focal lengths to match the set. Please note that this is a matched set of vintage lenses and there is no replacement glass available. Special insurance details are required to rent these lenses.
Focal lengths are 18mm T1.5, 24mm T1.6, 35mm T1.4, 55mm, T1.3, and 85mm T1.3.
Canon FD primes are available to augment this set and include 20mm T2.9, 28mm T2.1, 100mm T2.1, and 135mm T2.1.-
Canon V35 Primes
Our Canon V35 primes set began as Canon CN-E lenses. Taking these lenses, and using the legendary K35’s as inspiration, they now create a look that approximates these vintage optics, while retaining some of their own aesthetic. Think of them as K35 Mark II. Just enough of the old traits with something a little new and fresh for digital formats. This means more interesting flares, less contrast, less saturation while retaining those incredible Canon skin tones. Their original housing is retained and add unique signature engravings set them apart from the crowd.
Set includes 14mm T3.1, 20mmT1.5, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, and 135mm T2.2.
Canon FD Primes
These legendary Canon FD still photo lenses have been rehoused by GL Optics in a modern high performing housing. This is the glass that inspired the Canon K35 lenses and display many similar characteristics shared from their 1970’s nature.
Set includes 14mm T2.1, 24mm T1.5, 28mm T2.1, 35mm T2.1, 55mm T1.3, 85mm T1.3, 135mm T2.1.
Canon CN-E Cinema Primes
Canon’s brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses’ compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup.
Set includes 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3, 135mm T2.2.
Leica R Primes
Classic Leica R prime lens glass re-housed in a unique 110mm diameter housing by GL Optics. They have a stainless steel PL mount and a newly designed focus and iris system. All lenses have 330 degrees focus rotation.The set includes 19mm T2.9, 28mm T2.9, 35mm T1.5, 50mm T1.5, 80mm T1.5, and 135mm T2.9.
Leitz Hugo Primes
The Leitz HUGO lenses are designed to be small, fast, lightweight, and as close focusing as possible with the full personality of the Leica M lens glass creating character at capture. This set includes the unsurpassed Noctilux version of the 50mm.
Includes 21mm, 24mm, 28mm, 35mm, 50mm T1.0, 75mm, and 90mm, all T1.5 except the Noctilux.
Leitz Summicron – C Primes
The Leitz Summicron-C prime lenses by Leica are compact and lightweight cinema primes providing incredible performance with a larger than Super 35; 36mm image circle. SUMMICRON-C lenses offer authentic color rendition, natural focus transitions and fall off, and a creamy sharpness that captures everything from actresses to architecture with a humane and true representation. Skin tones remain soft and smooth while hard edges and fine details retain their contrast, which makes these one of the most versatile sets of cine lenses available.
Set includes 18mm, 25mm, 35mm, 50mm, 75mm, and 100mm all T2.0.
Richard Gale Clavius Primes
If you enjoy DSO’s Trump primes, you’ll love these new Clavius primes. With all internal focus adjustments, the Clavius primes will cover Full Frame/VV sensors with an ultra flarey, low-contrast aesthetic, and their unique aperture disk inserts now offer even more options, including the loved anamorphic bokeh and new color fx.
Set includes 28mm, 38mm, 58mm, and 88mm all T2.0.
Tribe7 Blackwing7 Prime Lens Set
Blackwing7 lenses from Tribe7 represent an entirely new range of tuned optics for large format cameras. Blackwing7 optics exhibit unique imaging properties which arise from the introduction of controlled distortion during the development and manufacturing processes. Our set of Blackwing 7 Primes are all tuned T – Transient. These lenses, the middle tuning of the three options, have a profile which further softens the roll-off to the edge of the frame and provides increased edge detail halation. T lenses are designed to capture a slightly softer, artistic image, with a higher degree of light reactivity and flaring characteristics are harder and more prominent.
Our Tribe7 Blacking7 prime lens set consists of six lenses from 27mm to 107mm. The 20.7mm and 137mm are available separately.
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Zeiss CP.2 Primes 7-Lens Set
ZEISS Compact Primes in the CP.2 family deliver a wide range of focal lengths, full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle.
Focal lengths included in this set are 18mm T3.6, 21mm T2.9, 25mm, 28mm, 35mm, 50mm, and 85mm all T2.1. The Zeiss CP.2 50mm Makro, 100mm, and 135mm lenses are available separately.
Zeiss Ultra Primes
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
Set includes 16mm, 24mm, 32mm, 50mm, 85mm, and 100mm all T1.9.
