RED Weapon Monstro 8K VV:
The RED Weapon Monstro 8K VV can also use Super35 lenses with a windowed capture area for high frame rate recording. Sitting in front of the full-frame sensor is an interchangeable PL mount. Accordingly, this way you can use industry-standard cinema lenses right out of the box or exchange the mount to use alternative photo and video lenses. REDCODE RAW is the format of choice for DSMC2 cameras. RED’s versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media.
The MONSTRO 8K VV offers recording rates ranging from 12 fps and up, including 24/25/30/48/50/60 fps and higher. Therefore, the cornerstone of RED’s workflow is the robust REDCODE RAW file format. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite.
SPECS:
| Specification | Information |
|---|---|
| Sensor Mode | 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
| Recording Formats | REDCODE RAW Acquisition 2:1 to 22:1, Apple ProRes 422LT, 422, 422HQ, 4444, 4444XQ, Avid DNxHR HQX, HQ, SQ, 444, DNxHD 444, HQX, HQ, SQ |
| Frame Rates | 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
| Sensitivity | ISO 800, ES (Enhanced Sensitivity) Mode available in ISO 2560 - 6400 to reduce noise |
| Latitude | 17 Stops |
| ND Filters | NA |
| Lens Mount | PL Mount, EF is also available. |
| Recording Media | RED Mini-mag |
| Outputs | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) |
| Interfaces | SMPTE Timecode, HANC Metadata |
| Audio | 24-bit 48 kHz Audio |
| Weight | 3.4lbs, Brain and media bay |
