S35
RED V-Raptor 8K VV Storm Trooper
Compact, fast, and both full-frame and Super 35 the Storm Trooper V-RAPTOR 8K VV camera is an impressive introduction to RED DIGITAL CINEMA’s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. The V-RAPTOR’s RF lens mount can be used with PL and EF lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
Panasonic Varicam LT
A Super 35 mm sensor — with a one-piece, shorter-bodied design. With a body weighing under 3 kg (6 lb.), Panasonic VariCam LT is ideal for handheld, Steadicam, jib, crane, gimbal and drone shooting applications, as well as all types of cinéma vérité filmmaking. The VariCam LT offers a host of new features including an EF lens-mount, hot-swappable batteries, IR shooting capability, a 23.98 PsF output, cinema-style file-naming, and scene files.
RED Komodo X
The RED KOMODO X is a 6K, digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces. It has built-in Wi-Fi and a USB-C connector, the RED KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming.
RED Komodo 6K
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4 x 4″. Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
RED Epic X
The Red Epic X camera shoots up to 5K resolution in digital cinema raw footage. Includes PL Mount camera, Bomb EVF, LCD Monitor, DSMC Side Handle, DSMC Side SSD Module, RedMote, a/c and battery power, Red 19mm DSMC quick release plate rod support, and (1) 128GB SSD Module, Red Station RedMag reader, A-Box dual XLR adapter.
RED Gemini 5K
RED Gemini 5K is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. The RED Gemini 5K can shoot up to 75 fps in full sensor resolution of 5120×3000 and up to 120 fps in 4k – all in RED’s industry leading REDCODE RAW format, and can record Prores proxies simultaneously.
Canon C300 Mark II
The EF-mount Canon Cinema EOS C300 Mark II Camcorder has a modular design that can either be stripped down completely or be built up using the included handle, LCD unit, microphone adapter, grip, and thumb rest. The camera features a Super 35mm CMOS sensor which provides faster and more accurate autofocusing.
Canon C100
The Canon C100 camera has an 8.3MP Super 35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, provides 3ch RGB processing for Full HD recording. It delivers superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and beautifully shallow depth of field.
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Canon C70
The Canon C70 cinema camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range in a mirrorless style body. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas. Video resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K. Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input/output connector, and built-in dual mini-XLR audio inputs.
RED Weapon Helium 8K
RED’s 8K Super 35MM Cinema Camera is capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps—WEAPON 8K S35 delivers unrivaled performance. At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60–75 fps, WEAPON 8K S35 provides the most advanced VFX solution with next-level creative flexibility. With other HELIUM sensor advancements, WEAPON 8K boasts improved low-light sensitivity and impressive dynamic range. Blazing-fast 300 MB/s data rates allow you to take advantage of the lowest possible REDCODE—and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.
WEAPON also supports interchangeable OLPFs and lens mounts—empowering you to make the most of all of your S35 compatible PL, Nikon, Canon, and Leica lenses.
Blackmagic Ursa Mini Pro 4.6K
Blackmagic Ursa Mini Pro 4.6K Digital Cinema Camera brings Apple ProRes recording to a versatile camera body design. In addition, internal ND’s are available on a fast-access filter wheel. Furthermore, most critical camera settings are available for adjustment on dedicated switches. An external LCD provides setup information at a glance.
Panasonic EVA1
EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode.
