PL Mount
RED Pro Primes
A set of RED cinema prime lenses has excellent characteristics. The RED Pro 300mm 18-85mm zoom are available as well.
Set includes 18mm,25mm, 35mm, 50mm, 85mm, and 100mm all T1.8.
RED Pro 17-50mm
The Red Pro 17-50mm T2.9 cinema zoom lens in PL Mount.
RED 18-50mm
Red 18-50mm T3 short cinema zoom lens.
RED Pro 18-85mm
RED 18-85mm T2.9 cinema zoom.
Sigma FF High Speed Primes
Sigma FF High Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. They are available in both EF and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.
Set includes 14mm T2, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5, and 135mm T2. Please specify lens mount.
Atlas Mercury Primes
The Atlas Mercury Series 1.5x Full-Frame Anamorphic lenses are designed to further connect cinematographers, directors, and filmmakers everywhere to the images they create. They are designed to balance vintage character with modern sensor performance and to support every cinematographer in their lifelong pursuit of expressing their image-craft.
Set includes 36mm, 42mm, 72mm all T2.2.
Tokina Cinema Vista Primes
The Tokina Cinema Vista Prime Lens Set is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs. Available in EF and PL Mount.
Set includes 18mm, 25mm, 35mm, 50mm, and 85mm all T1.5.
Zeiss 14mm T2 Standard Speed Prime
Zeiss Standard Speeds are S35 vintage cinema lenses that have been an industry standard for decades. Their older optical designs, vintage glass and coatings are the perfect tool to take some of the edge off of digital cameras. They most definitely flatter skin tones.
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Zeiss Super Speed Primes
Zeiss Super Speeds are some of the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture puts them in rare company. Made from rare earth materials that can no longer be used to make lenses, they just make people look good. They produce beautiful blue and magenta lens flares, and have minimal focus breathing.
Set includes 18mm, 25mm, 35mm, 50mm, 85mm all T1.3. The 14mm and 135mm lenses are available separately.
Zeiss Super Speed Primes for S16
The Zeiss Super Speed Super 16 Prime Lenses offer the same amazing optical flavor so many filmmakers know and love from the Zeiss Super Speeds and Zeiss B Speeds.
Set includes 9.5mm, 12mm, 16mm, 25mm and 50mm all T1.3.
Zeiss CP.2 Primes 5-Lens Set
ZEISS Compact Primes in the CP.2 family deliver a wide range of focal lengths, full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Focal lengths included in this set are 15mm T2.9, 25mm T2.1, 35mm, 50mm, and 85mm all T1.5. The Zeiss CP.2 50mm Makro, 100mm, and 135mm lenses are available separately.
Zeiss CP.2 50mm Makro
ZEISS Compact Prime 50mm Makro T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CP.2 100mm T2.1
ZEISS Compact Prime 100mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
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Zeiss CP.2 135mm T2.1
ZEISS Compact Prime 135mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CZ.2 28-80mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss CZ.2 70-200mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss Ultra Prime 135mm T1.9
The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation with ARRI and ZEISS.
IBE Optics 2X Extender
The IBE Optics 2X Extender will mount perfectly to any digital camera with a native PL mount. It will also clear the spinning mirror on ARRI and Aaton 35 mm cameras.Optically, the PLx2 projects an image circle large enough to cover all commonly used 35 mm formats including 5K on RED Epic and 4:3 full frame on ARRI Alexa.
ARRI Alexa 35
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
ARRI Alexa Mini LF
The ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.
ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
