Full Frame / LF
DZOFilm Vespid Primes
The DZOFilm Vespid Prime Lens Set is suitable for use on productions ranging from independent to studio films.
Set includes 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm all at T2.1.
Fujinon Premista 28-100mm Zoom
This standard zoom lens features a constant T2.9 maximum aperture across the entire zoom range, minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista 28-100mm is designed with a 13-blade aperture for smooth bokeh, a wide focus barrel rotation of 280°, and a 114mm front diameter.
Fujinon Premista 80-250mm Zoom
This spherical zoom lens has a constant T2.9 maximum aperture from 80-200mm, then gradually ramps less than a stop to T3.5. It features minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista 80-250mm is designed with a 13-blade aperture for smooth bokeh, a wide focus barrel rotation of 280°, and a 114mm front diameter.
Sigma FF High Speed Primes
Sigma FF High Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. They are available in both EF and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.
Set includes 14mm T2, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5, and 135mm T2. Please specify lens mount.
Sony FE 12-24mm GM
The Sony FE 12-24mm f/2.8 G is an extremely fast super wide zoom lens.
Sony FE 16-35mm GM
The Sony FE 16-35mm f/2.8 GM is compact, fast, and versatile. It is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view.
Sony FE 24mm GM
The Sony FE 24mm f/1.4 GM is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting photography.
Sony FE 24-70mm GM
The Sony FE 24-70mm f/2.8 GM is compact, fast, and versatile. It is a medium range zoom.
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Sony FE 24-105mm GM
The Sony FE 24-70mm f/4 G OSS is a short telephoto zoom.
Sony FE 35mm GM
The Sony FE 35mm f/1.4 GM is a fast, versatile lens well-suited to landscape, documentary, and street photography.
Sony FE 50mm GM
The Sony FE 50mm f/1.2 GM is a fast, versatile lens well-suited to portrait and general photography.
Sony FE 85mm GM
The Sony FE 85mm f/1.4 GM is a fast, versatile lens well-suited to portrait and general photography.
Atlas Mercury Primes – Group 1
The Atlas Mercury Series 1.5x Full-Frame Anamorphic lenses are designed to further connect cinematographers, directors, and filmmakers everywhere to the images they create. They are designed to balance vintage character with modern sensor performance and to support every cinematographer in their lifelong pursuit of expressing their image-craft. This is a 3 lens set of the six lenses in the series.
Set includes 36mm, 42mm, 72mm all T2.2.
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Cooke SP3 Primes
Cooke SP3 prime lens series is based on one of the legendary Cooke Speed Panchro. Cooke SP3 6 lens set of primes is a completely new design optimized optically and mechanically, for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories.
Includes: 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm all T2.4.
Sony FE 70-200mm GM
The Sony FE 70-200mm f/2.8 G OSS is your classic, fast telephoto zoom lens.
Tokina Cinema Vista Primes
The Tokina Cinema Vista Prime Lens Set is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs. Available in EF and PL Mount.
Set includes 18mm, 25mm, 35mm, 50mm, and 85mm all T1.5.
Zeiss CP.2 Primes 5-Lens Set
ZEISS Compact Primes in the CP.2 family deliver a wide range of focal lengths, full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Focal lengths included in this set are 15mm T2.9, 25mm T2.1, 35mm, 50mm, and 85mm all T1.5. The Zeiss CP.2 50mm Makro, 100mm, and 135mm lenses are available separately.
Zeiss CP.2 50mm Makro
ZEISS Compact Prime 50mm Makro T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CP.2 100mm T2.1
ZEISS Compact Prime 100mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
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Zeiss CP.2 135mm T2.1
ZEISS Compact Prime 135mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CZ.2 28-80mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss CZ.2 70-200mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
ARRI Alexa Mini LF
The ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.
