EF Mount
Canon 30-105mm
Canon 30-105mm T2.8 cinema zoom lenses were developed to support high-end digital motion imaging. These precision-matched lenses were designed to meet the optical requirements for 4K digital production.
Canon 30-300mm
Canon 30-300mm T2.95-3.7 cinema zoom lenses were developed to support high-end digital motion imaging. These precision-matched lenses were designed to meet the optical requirements for 4K digital production.
Sigma FF High Speed Primes
Sigma FF High Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. They are available in both EF and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.
Set includes 14mm T2, 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5, and 135mm T2. Please specify lens mount.
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Tokina Cinema Vista Primes
The Tokina Cinema Vista Prime Lens Set is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs. Available in EF and PL Mount.
Set includes 18mm, 25mm, 35mm, 50mm, and 85mm all T1.5.
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Zeiss CP.2 Primes 5-Lens Set
ZEISS Compact Primes in the CP.2 family deliver a wide range of focal lengths, full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Focal lengths included in this set are 15mm T2.9, 25mm T2.1, 35mm, 50mm, and 85mm all T1.5. The Zeiss CP.2 50mm Makro, 100mm, and 135mm lenses are available separately.
Zeiss CP.2 50mm Makro
ZEISS Compact Prime 50mm Makro T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CP.2 100mm T2.1
ZEISS Compact Prime 100mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
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Zeiss CP.2 135mm T2.1
ZEISS Compact Prime 135mm T2.1 full-frame coverage, high-quality images, great flare suppression, and precise focusing through the large rotation angle. ZEISS created the CP.2 lens to support the requirements of filmmakers whether you are producing commercials and need high contrast with accurate color rendition, or creating a potential Academy Award winning feature, or somewhere in between.
Zeiss CZ.2 28-80mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss CZ.2 70-200mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
ARRI Amira
Our cameras come in the Premium version with all licenses. ARRI’s versatile documentary-style camera combines exceptional image quality with an ergonomic design, optimized for single-operator use and extended shoulder-mounted operation. AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies
Sony FX9
Sony’s PXW-FX9 XDCAM 6K Full-Frame Camera System has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field.
RED Weapon Monstro 8K VV
The RED Weapon Monstro 8K VV (Vista Vision) is RED’s premier sensor. It provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range. The DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, delivering incredible dynamic range and up to 8K resolution.
Canon C300 Mark III
The Canon C300 Mark III digital cinema camera is a Super 35 dual gain output sensor camera with up to 16 stops of dynamic range. It comes with an EF lens mount and offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
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Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro is a powerful and compact professional cinema camera option.
RED V-Raptor 8K VV Storm Trooper
Compact, fast, and both full-frame and Super 35 the Storm Trooper V-RAPTOR 8K VV camera is an impressive introduction to RED DIGITAL CINEMA’s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. The V-RAPTOR’s RF lens mount can be used with PL and EF lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
RED Epic Dragon 6K
RED Epic Dragon 6K camera offers 6K resolution at up to 100fps with 16.5 stops of dynamic range. You can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. 6K resolution translates to over 19 MP, packing the same detail you expect from your DSLR into a cinema camera. When you can capture up to 100 frames per second at full resolution, you get 100 chances per second to capture the perfect picture.
