Cinema Zoom
Canon Cine-Servo 50-1000mm
The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for S35 format cameras and accommodates either broadcast or cinema-style production. A built in 1.5x extender will take you all the way out to 1500mm.
Canon FD 50-300mm
In 1982 Canon released its last lens off the FD production line, and they did not disappoint. The Canon FD 50-300mm f/4.5 L used 2 special UD low dispersion/low diffraction elements to control chromatic abberations in their 16 element, 13 group design. This zoom lens, rehoused by Ancient Optics, pairs perfectly with the Canon FD or K35 primes.
Duclos 11-16mm
Duclos’ take on the Tokina 11-16 wide angle zoom lens. Modified de-clicked aperture, added focus gears, and smooth black finish.
Fujinon 19-90mm Cabrio
Now you can rent the Fujinon PL mount 19-90mm T2.9 Cabrio Zoom Lens (ZK4.7×19) which features an exclusive detachable servo drive unit, making it suitable for use as a standard PL cinema zoom lens or as an ENG-Style lens.
Fujinon 20-120mm Cabrio
The Fujinon XK20-120mm T3.5 Cabrio Premier Lens is a wide to telephoto zoom lens for Super 35mm cameras in PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.
Fujinon 85-300mm Cabrio
While the PL mount Fujinon 85-300mm T2.9 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The PL 85-300 offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.
Fujinon MK 18-55mm
Fujinon’s MK 18-55mm T2.9 zoom lenses achieves a high optical performance and low distortion with T2.9 speed across the entire zoom range.
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Fujinon MK 50-135mm
Fujinon’s MK 50-135mm T2.9 zoom lens achieves high optical performance and low distortion with T2.9 speed across the entire zoom range.
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Fujinon Premista 28-100mm Zoom
This standard zoom lens features a constant T2.9 maximum aperture across the entire zoom range, minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista 28-100mm is designed with a 13-blade aperture for smooth bokeh, a wide focus barrel rotation of 280°, and a 114mm front diameter.
Fujinon Premista 80-250mm Zoom
This spherical zoom lens has a constant T2.9 maximum aperture from 80-200mm, then gradually ramps less than a stop to T3.5. It features minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista 80-250mm is designed with a 13-blade aperture for smooth bokeh, a wide focus barrel rotation of 280°, and a 114mm front diameter.
RED Pro 17-50mm
The Red Pro 17-50mm T2.9 cinema zoom lens in PL Mount.
RED 18-50mm
Red 18-50mm T3 short cinema zoom lens.
RED Pro 18-85mm
RED 18-85mm T2.9 cinema zoom.
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Zeiss CZ.2 28-80mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
Zeiss CZ.2 70-200mm Zoom
ZEISS Compact Zooms utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. The lens comes in EF or PL Mount.
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