Cameras
ARRI Alexa 35
For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.
ARRI Alexa Mini LF
The ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode. The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.
ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI Alexa Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
ARRI Amira
Our cameras come in the Premium version with all licenses. ARRI’s versatile documentary-style camera combines exceptional image quality with an ergonomic design, optimized for single-operator use and extended shoulder-mounted operation. AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies
ARRI Alexa Classic
The ARRI Alexa Classic digital cinema camera was really the jumping off point of a long line of digital cinema cameras. With its cutting-edge technology and unrivaled image quality, the Alexa Classic was the perfect choice for filmmakers who demanded film-like capture in a digital camera.
Sony Venice 2
The Sony VENICE 2 builds upon the strength of the original VENICE. The new features include a compact design, internal recording and the option for two different sensors: the newly developed Full Frame 8.6K sensor or the original 6K VENICE sensor. The VENICE 2 also brings the same features of color science, dual base ISO, and 8-stops of built-in ND filters from the original VENICE.
Sony Venice
VENICE combines a newly developed 36x24mm 6K Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses for a greater range of expressive freedom with shallow depth of field. User-selectable areas of the image sensor allow shooting in Super 35 mm. A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images.
Sony Burano
The Sony BURANO has a Full Frame 8.6K sensor can capture every nuance and color with in-body image stabilization and in-camera variable ND filters. BURANO is light, ergonomic, and extremely mobile. BURANO could fit in a backpack on a documentary or work as a companion camera to its larger sibling, VENICE.
Sony FX9
Sony’s PXW-FX9 XDCAM 6K Full-Frame Camera System has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field.
Sony PDW-F800
The Sony PMW-F800 XDCAM camera records MPEG HD422 at 50 Mbps to optical discs. The Sony PDW-F800 XDCAM HD422 Camcorder provides the durability and reliability professionals expect of ENG camcorders. The Sony F800 is known for the ability to shoot high definition video at manageable bitrates, without sacrificing quality.
Sony FX6
The Sony FX6 Full-Frame Camera offers versatile, cine-style imaging in a compact camera body. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE cameras.
RED Weapon Monstro 8K VV
The RED Weapon Monstro 8K VV (Vista Vision) is RED’s premier sensor. It provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range. The DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, delivering incredible dynamic range and up to 8K resolution.
Canon C300 Mark III
The Canon C300 Mark III digital cinema camera is a Super 35 dual gain output sensor camera with up to 16 stops of dynamic range. It comes with an EF lens mount and offers Canon’s Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon’s Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
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Sony FX3
The Sony FX3 Full-Frame Camera with a compact design for solo shooters, for travel applications, and to serve as an ideal A or B cam. The Sony FX3 has a 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.
Sony Alpha a7s III
Camera of the Year, or Camera of the Decade? The Sony Alpha a7S III is a video-focused full-frame mirrorless camera with a 12 Megapixel BSI CMOS sensor. It uses an all-new dual-chip Bionz XR processor, which offers considerably more horsepower, allowing for faster autofocus/auto-exposure as well as high bitrate video. The camera offers an ISO range of 80-102400, which expands to 40-409600. Sony states that this camera captures 15 beautiful stops of dynamic range.
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Sony Rialto Extension System for Venice
The Sony Rialto Extension System for Venice cameras allows camera body to be separated and extended away from the lens and sensor block. This facilitates shooting in tight spaces, or handheld more easily for complex action scenes. The Rialto comes with a nine foot cable as well as an optional nine foot extension cable allowing 18 feet of separation. There is no change in capability of the Venice while in Rialto mode.
Sony FS7
The PXW-FS7 is a native E-mount camcorder designed to give users maximum lens options and flexibility, smooth and silent iris, focus and zoom control, with auto exposure and SteadyShot stabilization. An extremely shallow, 18mm flange-back distance enables the use of a range of 35mm lenses. Features include 2 XQD card slots that support simultaneous recording and relay recording.
Sony F55
The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor capable of capturing 4K, 2K, and HD resolution video in a variety of formats via the camera’s internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other rolling shutter distortions.
Sony A7S II
Sony’s a7S II Mirrorless Digital Camera offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. With a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409,600 for low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization allows for sharper, smoother handheld recording.
ARRI SR3-HS
Variable frame rate from 5-150 FPS. The ARRI SR3 High Speed film camera was created to meet the demand of any production. It’s versatility between Super 16mm and regular 16mm film, as well as its variable shutter, external camera control unit, and lightweight body provide the cinematographer the necessary tools to create their vision.
We would challenge you find a cleaner more pristine Arri SR3 HS packed away in Arri Group’s original equipment repository. Call now to rent this Super 16mm motion picture camera.
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Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro is a powerful and compact professional cinema camera option.
ARRI IVS Video Tap
ARRI IVS Video Tap lets you pull a video signal from the ARRI SR3 High Speed camera’s 16mm film for viewing on video monitors.
RED V-Raptor 8K VV Storm Trooper
Compact, fast, and both full-frame and Super 35 the Storm Trooper V-RAPTOR 8K VV camera is an impressive introduction to RED DIGITAL CINEMA’s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. The V-RAPTOR’s RF lens mount can be used with PL and EF lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
RED Epic Dragon 6K
RED Epic Dragon 6K camera offers 6K resolution at up to 100fps with 16.5 stops of dynamic range. You can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. 6K resolution translates to over 19 MP, packing the same detail you expect from your DSLR into a cinema camera. When you can capture up to 100 frames per second at full resolution, you get 100 chances per second to capture the perfect picture.
