RED Gemini 5K:
Even though the GEMINI sensor has fewer photosites than its HELIUM and MONSTRO brethren, it has a cool trick up its sleeve. Using advanced circuitry designed for the aerospace industry, the GEMINI can switch native sensitivities. Practically speaking, it can operate in both normal and dimly lit scenarios without prematurely blown highlights or excessive noise, respectively. Nearly limitless lens options are available for the DSMC2 system. While this camera requires a separately available lens mount, DSMC lens mounts themselves are offered in different varieties for compatibility with a wide array of lens systems.
SPECS:
| Specification | Information |
|---|---|
| Sensor Mode | 15.4 Megapixel Dual Sensitivity CMOS - 5120 x 3000 |
| Recording Formats | REDCODE RAW - 5K Full Height (5120 x 3000), 5K Full Format (5120 x 2700), 4K Full Format (4096 x 2160), 3K Full Format (3072 x 1620), 2K Full Format (2048 x 1080) Apple ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160), ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080), ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) |
| Frame Rates | 75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
| Sensitivity | 800 ASA @ Daylight |
| Latitude | 16.5+ stops (Both Sensitivities) |
| ND Filters | n/a |
| Lens Mount | Canon EF / PL Mount |
| Recording Media | RED MINI-MAG® - 480GB, 512GB, 960GB & 1TB - 300Mb/s, 120GB & 240GB - 225Mb/s |
| Outputs | 3G-SDI (HD-SDI) and HDMI® |
| Interfaces | Timecode, Integrated R.C.P.™ WiFi antenna, Ethernet, RS232 |
| Audio | Integrated dual channel stereo microphones, 24-bit 48 kHz |
| Weight | 3.35 lbs |
