Lenses
Canon 30-105mm
Canon 30-105mm T2.8 cinema zoom lenses were developed to support high-end digital motion imaging. These precision-matched lenses were designed to meet the optical requirements for 4K digital production.
Canon 30-300mm
Canon 30-300mm T2.95-3.7 cinema zoom lenses were developed to support high-end digital motion imaging. These precision-matched lenses were designed to meet the optical requirements for 4K digital production.
Canon CineServo 25-250mm
The CineServo 25-250 T2.95 zoom lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.
Canon Cine-Servo 50-1000mm
The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for S35 format cameras and accommodates either broadcast or cinema-style production. A built in 1.5x extender will take you all the way out to 1500mm.
Canon FD 50-300mm
In 1982 Canon released its last lens off the FD production line, and they did not disappoint. The Canon FD 50-300mm f/4.5 L used 2 special UD low dispersion/low diffraction elements to control chromatic abberations in their 16 element, 13 group design. This zoom lens, rehoused by Ancient Optics, pairs perfectly with the Canon FD or K35 primes.
Cooke Mini S4/i Primes
The miniS4/i primes incorporate everything that today’s filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.
Set includes 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm all T2.8.
Cooke S4/i 14mm Prime
Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments at T2.0.
Cooke S4/i 135mm Prime
Cooke S4/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture, with the cam-type focus mechanism allowing for smooth focus adjustments at T2.0.
Duclos 11-16mm
Duclos’ take on the Tokina 11-16 wide angle zoom lens. Modified de-clicked aperture, added focus gears, and smooth black finish.
DZOFilm Vespid Primes
The DZOFilm Vespid Prime Lens Set is suitable for use on productions ranging from independent to studio films.
Set includes 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm all at T2.1.
Fujinon 19-90mm Cabrio
Now you can rent the Fujinon PL mount 19-90mm T2.9 Cabrio Zoom Lens (ZK4.7×19) which features an exclusive detachable servo drive unit, making it suitable for use as a standard PL cinema zoom lens or as an ENG-Style lens.
Fujinon 20-120mm Cabrio
The Fujinon XK20-120mm T3.5 Cabrio Premier Lens is a wide to telephoto zoom lens for Super 35mm cameras in PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing Arri LDS and Cooke /i Technology lens data with the camera.
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Fujinon 85-300mm Cabrio
While the PL mount Fujinon 85-300mm T2.9 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The PL 85-300 offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.
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