Alexa 35 User Manual
Alexa 35 Camera Simulator
ARRI Frameline and Lens Illumination Tool
ARRI Formats and Data Rate Calculator
ARRI Alexa 35:
Designed for situations where a small, yet comprehensive camera package is preferred. This set contains an ALEXA 35 camera with LPL Mount (LBUS), PL-to-LPL Adapter, MVF-2 viewfinder and an ALEXA 35 Cine License (ARRIRAW and Open-Gate-width recording formats). The ARRI ALEXA 35 is a 4K Super 35 camera that promises to elevate digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colors. The ALEXA 35’s new REVEAL Color Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.
Sensor Type ARRI Alexa 35 Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
Sensor Maximum Number of Photosites and Size 4608 x 3164 27.99 x 19.22 mm / 1.102x 0.757″ Ø 33.96 mm / 1.337″
Technical Specifications:
Specification | Information |
---|---|
Sensor Mode | 4.6K 16:9: 4608 x 2592 4K 16:9: 4096 x 2304 4K 2:1: 4096 x 2048 3.3K 6:5: 3328 x 2790 3K 1:1: 3072 x 3072 2.7K 8:9: 2743 x 3086 2K 16:9 S16: 2048 x 1152 Sensor Active Image Area (dimensions)4.6K 3:2 Open Gate: 28.0 x 19.2 mm / 4.6K 16:9: 28.0 x 15.7 mm / 4K 16:9: 24.9 x 14.0 mm / 4K 2:1: 24.9 x 12.4 mm / 3.3K 6:5: 20.22 x 16.95 mm / 3K 1:1: 18.7 x 18.7 mm / 2.7K 8:9: 16.7 x 18.7 mm 2K 16:9 S16: 12.4 x 7.0 mm |
Recording Formats | MXF/ARRIRAW MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ |
Frame Rates | ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps ARRIRAW 4K 16:9 - 4K: 55 / 120 fps ARRIRAW 4K 2:1 - 4K: 65 / 120 fps ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps ARRIRAW 3K 1:1 - 3K: 55 / 100 fps Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps Apple ProRes 4K 16:9 - 4K: 100 / 100 fps Apple ProRes 4K 16:9 - UHD: 120 / 120 fps Apple ProRes 4K 16:9 - 2K: 120 / 120 fps Apple ProRes 4K 16:9 - HD: 120 / 120 fps Apple ProRes 4K 2:1 - 4K: 120 / 120 fps Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps Apple ProRes 3.3K 6:5 - 4K 2.39:1 Ana. 2x: 90 / 90 fps Apple ProRes 3K 1:1 - 3K: 90 / 90 fps Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps |
Sensitivity | ISO 800, ES (Enhanced Sensitivity) Mode available in ISO 2560 - 6400 to reduce noise |
Latitude | 17 Stops |
ND Filters | clear, 0.2, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4 |
Lens Mount | LPL - PL Mount |
Recording Media | Codex Compact Drive |
Outputs | 2x VF custom CoaXPress connectors for MVF-2 viewfinder 2x 12G SDI (BNC): 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD |
Interfaces | 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable 1x SERIAL (LEMO 4-pin) for distance measuring accessories 1x TC (LEMO 5-pin) for timecode In/Out 1x ETH (LEMO 10-pin) for remote control and service 1x SYNC IN (BNC) for Genlock synchronization 1x RET IN (BNC, switchable on SDI 2) 1x USB-C for user setups, look files etc. 1x Rear Interface (18-pin Pogo) for connection of modules and battery adapters 1x Top Interface (5-pin Pogo) Wireless InterfacesBuilt-in WiFi module (IEEE 802.11b/g) Built-in White Radio for ARRI ECS lens and camera remote control |
Audio | Audio Input1x LEMO 6pin balanced stereo line in with 12V power output (line input max. level +24 dBu correlating to 0 dBFS) Two built-in microphones for scratch audio With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES) Audio OutputSDI (embedded) 3,5mm stereo headphone jack (on MVF-2) Audio Recording4 channel linear PCM, 24 bit 48 kHz |
Weight | 6.4lbs |